From the Studio

Addicting production, storytelling on ‘Charm’ represents Clairo at her best

By Griffin Uribe BrownSenior Staff Writer

July 17, 2024

Megan Moroney embraces introspection, vulnerability on sophomore album ‘Am I Okay?’

By Savannah StewartAsst. Copy Editor

July 16, 2024

From the Studio

Animations of light and abstract ideas feature SU’s computer art program

By Julia PryorAsst. Culture Editor

April 30, 2024

Screentime Column

‘Challengers’ serves fresh approach to exploring ambition, desire

By Faith BolducAsst. Digital Editor

April 30, 2024

‘The Tortured Poets Department’ should mark end of Taylor Swift, Jack Antonoff era

By Rosina BoehmSenior Staff Writer

April 23, 2024

Screentime Column

‘The Ministry of Ungentlemanly Warfare’ is ultimately background noise

By Henry O'BrienSenior Staff Writer

April 22, 2024

Screentime Column

‘Civil War’ presents a unique duality of violence, morality in war

By Nate LechnerSenior Staff Writer

April 17, 2024

J. Cole leaves his lyrical roots behind in ‘Might Delete Later’

By Olivia BoyerAsst. Digital Editor

April 16, 2024

Screentime Column

‘Curb Your Enthusiasm’ finale redeems Larry David from botched ‘Seinfeld’ ending

By Cooper AndrewsManaging Editor

April 16, 2024

Screentime Column

‘The Bear’ leaves fans with serious heartburn every season

By Ben ButlerCulture Editor

April 16, 2024

From the Studio

The Everson’s enamel exhibit brings forgotten art form back to life

By Varsha BhargavaAsst. Digital Editor

April 16, 2024

Screentime Column

Dev Patel directorial debut, ‘Monkey Man,’ is no ordinary revenge film

By Matt DeckersScreentime Columnist

April 15, 2024

Screentime Column

Arkasha Stevenson brings new aspects of body horror in ‘The First Omen’

By Sam Chapnick

April 10, 2024

Lizzy McAlpine’s ‘Older’ is a personal, artistic milestone

April 9, 2024

Screentime Column

‘Love Lies Bleeding’ explores what happens when love goes too far

By Irene LekakisAsst. Culture Editor

April 2, 2024

Screentime Column

Kung Fu Panda 4 falls short with recycled jokes, lackluster screenwriting

By Faith BolducAsst. Digital Editor

March 26, 2024

Screentime Column

‘Immaculate’ offers elevated horror movie tropes with Sydney Sweeney’s best role yet

By Matt DeckersScreentime Columnist

March 25, 2024

Screentime Column

‘Ricky Stanicky’ tries and fails to be a raunchy comedy from a time gone by

By Henry O'BrienSenior Staff Writer

March 19, 2024

Screentime Colum

Gear up for the Oscars with the help of our screentime columnists

By Henry O'Brien, Matt Deckers, Nate LechnerThe Daily Orange

March 6, 2024

Screentime Column

Adam Sandler’s ‘Spaceman’ performance leaves fans disappointed

By Jack Steinberg

March 6, 2024

Screentime Column

‘Dune: Part Two’ brings multifaceted characters, relationships to the big screen

By Sam Chapnick

March 5, 2024

Screentime Column

Sony’s ‘Madame Web’ is a stain on the superhero genre

By Nate LechnerSenior Staff Writer

February 20, 2024

Screentime Column

Super Bowl LVIII commercials bring sequel films to the foreground

By Nate LechnerSenior Staff Writer

February 12, 2024

From the Studio

‘Assembly’ redefines ecology with artwork old and new

By Kelly MatlockSenior Staff Writer

February 6, 2024